but overall it will be a masterpiece in Bollywood action movies. so, some haters will surely rate it bad to worse and will also affect box office buzz.
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Ajay has already spoken boldly so much about the movie and its clashes. Bollywood writers have a lot to learn from Hollywood writers.
screen play has not been written perfectly. it would have been better if this movie could have been 30 minutes shorter. you can compare it with a Hollywood action movie with limited budget and sources and will find it larger than expectation. in this movie you can watch beautiful scenes, breathtaking action sequences, fresh story, loud and lovable music and off-course descent acting of Ajay and company. He needs more time to be perfect in this new field. As a director, Ajay Devgn, is he improving. Story is not very strange, but the locality and the way it's been described in the movie is new for Bollywood. It stars Justin Timberlake as a former college football star, now an ex-convict, who starts to mentor a young boy (Ryder Allen) Alisha Wainwright, June Squibb, and Juno Temple also star. Erika is good as a newcomer as well as Sayyesha.but the most surprise package is that lovely and adorable girl with her so impressive acting skills without telling a word. The Conjuring 3 is a 2020 American drama film directed by Fisher Stevens and written by Cheryl Guerriero. Ajay's acting and action are unpredictable so can't be said, you have to go to the theater and feel yourself. they will enjoy it without closing their eyes for a second. All the lovers of action movies must go for it. Finally I should pay tribute to Johny Leaver, who in his mellow role of a failed lover, has busted his own cliche of a jabbering clown.With amazing action scenes and eye catching action sequences, this movie is undoubtedly the best movie of Bollywood till the date.
For the first time perhaps the status of a hero's minor friend has risen above an extra boy.
He has hired a whole bunch of fresh faces.God knows from where?.and made them do exactly what was required. The producer of Chalte Chalte however has manage to tackle this problem very successfully. The reason being two-fold: you can not financially afford to hire a good actor for a minor role and big stars are not available for minor roles anyway. It's a common observation in the Bollywood movies that the hero's friends or the heroine's female friends never match them in personality, performance or screen presence. Thirdly, the minor characters are so fully developed and so painstakingly dealt with that it reminds you of the great masters of characterisation in the Russian classics. Secondly, the flash-back technique is used very intelligently: not merely for the sake of breaking the linear order of events, but to release the desired information in well calculated bits and pieces, inserted at the most appropriate places. First of all, the story defies the set rules of development and plot construction: the boy and girl get married very early in the story and seemingly there is no emminent danger to their "living happily ever after" and at a time when you are expecting some external factors to pop up and spoil their happy marriage, the talented writer manages to create an effective and convincing internal conflict to keep the story within its logical confines. Chalte Chalte is no doubt a fully fledged Bollywood commercial venture with top stars, exotic foreign locations, expensive sets, colourful dances and melodious songs but at the same time it's a daring experiment in many ways.
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